Rice Field's

About this work

Not a painting of land, but a construction of it. Rice Fields is built, not brushed. Cut wood is layered into form, creating a physical topography that sits somewhere between sculpture and painting. Acrylic defines the terrain, while epoxy flows through the channels like water finding its own path. There is control in the structure and release in the material. An aerial landscape reduced to its essentials: shape, flow, and depth.